I don’t normally make a habit of commenting on what TV I do watch but tonight’s American Idol finale needs to know I’m not OK with it.
I know the show has been getting a lot of press lately as the place for tired, old artists* to revive their careers for a week or two or boost sales of their 20-year-old albums for a while but did they have to bring them all back at once, in one show?
I’m not a big Meatloaf fan already but I know what he’s supposed to sound like and it was painful to watch Katherine McPhee carry him through. We’re onto you, Meatloaf. Just because you choose red for your sweat rag, it doesn’t mean I’m going to believe for a second that that’s some kind of other accessory.
Eliot Yamin seemed a little surprised to have his moment hijacked by Mary J. Blige. And I normally leave the fashion spotting to the pros but come on - who wears glasses like that?
Was Toni Braxton even singing and why, when it did sound like she was singing, was her voice much deeper than Taylor Hicks’? And why is it OK for her to wear a babydoll on stage? I didn’t ask for her to wear a babydoll on stage.
Clay Aiken’s haircut, on his segment, made me reach for one of my daughter’s hair clips. Her bangs are a-growin’ out and seeing Aiken’s vision slightly blocked by his own hair made me want to git over here boy and let me git them bangs from out your face now there there you can see now boy.
It’s amazing to me that this show does so well featuring artists that were considered soft rock or pop even back in their prime. Most of their fan base is that precious 18-34 demographic but seriously, Burt Bacharach and Dionne Warwick?
In the end that finale seemed more of a cautionary send-off to me. A two hour event that screams, “Hey Idols, some of you might make careers out of this, look, see, the thing is… don’t end up like these people.”
* Excepting Barry Manilow. That man has talent.